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Kevin M. James's avatar

I may not yet be an old man, but I am certainly no longer young. So I understand the appeal of familiar and comfortable ways of thinking, and the pull of nostalgia, and the instinct to greet any and all shifts in the framework with suspicion and annoyance.

But still...the sheer ossification of the liturgy wars gets so old. Some days I fear that we will be stuck in the neverending fight between 1959 and 1969 until the very last Catholic who was of the age of reason in either of those years has passed from this earthly life...and maybe not even quite then, as each faction has of course formed younger disciples.

(Insert standard Gen-X gripes here...as if we weren't also part of the problem, but of course we are, how could we not be having grown up so deeply in the shadow of the '50s and '60s?)

Jeff Gill's avatar

Here's my take/problem, speaking as a Protestant minister: reading in our wobbly parallels of the same post-war era, I see a Venn diagram with a not-large but non-trivial area of overlap, which became all too normative even though the actual groups shared little in common other than a largely aesthetic common interest, that overlapping pointy ellipse.

One circle is made up of people who have an interest in religion (for social uplift or transformation, with a heavy interest in justice and changing structures of oppression) but were/are entirely hostile to anything even hinting at the supernatural, from miracles in the Gospels to anything special about what happens at this thing called "communion," and the other circle is made up of those who are open to subjective immortality and trans-rational experiences of the divine (variously defined), but who are sincerely concerned that the legacy and life of faith communities need a major adjustment if they are to succeed and endure in the modern world of Diego Rivera's murals and suburban shopping malls.

So both groups liked minimalism and brutalism and cheap construction with veneers and trim for accents, lighting effects more than quality materials, surfaces which could be swapped out like Levittown model home kitchens. They were completely at odds with each other on many essential levels, but the world of appearances and speed and quick transformations was where they both agreed -- and we got A-frames aplenty, Mid-century modern chancel furnishings, instant three-chord musical offerings.

Fast, cheap, shiny were the shared priorities, but when it came time to do maintenance, both the secular humanists and progressive spirituality marketers were shocked at the bill and wouldn't pay.

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